- ÇöÀç À§Ä¡
- home > ÀÌÆåÅÍ > ±âŸÀÌÆåÅÍ > DIGITECH > DIGI DELAY
The DigiDelay¢â pedal gives you loads of delay time, with up to 4 seconds
of delay available. This is more than is found in many studio-quality,
rack-mounted delay processors. And that¡¯s just the beginning! The DigiDelay¢â
also lets you select various delay types such as stereo ping pong and tape delay,
and other phat delay sounds, plus tap tempo so you can set the delay time exactly
to the beat (just hold, then tap the footswitch with your foot). Controls feature
Level, Repeat, Time, and Mode. Outputs for both pedals include Out 1 (Mono) and
Out 2 for stereo operation
of delay available. This is more than is found in many studio-quality,
rack-mounted delay processors. And that¡¯s just the beginning! The DigiDelay¢â
also lets you select various delay types such as stereo ping pong and tape delay,
and other phat delay sounds, plus tap tempo so you can set the delay time exactly
to the beat (just hold, then tap the footswitch with your foot). Controls feature
Level, Repeat, Time, and Mode. Outputs for both pedals include Out 1 (Mono) and
Out 2 for stereo operation
[Àû¸³±Ý ¹× Çö±Ý¿µ¼öÁõ ¾È³»] ȸ¿øÀ¸·Î ±¸ÀÔ °áÁ¦ ÇϽǰæ¿ì 1ÆÛ¼¾Æ®ÀÇ Àû¸³±ÝÀ» µå¸®¸ç, ¿ì¼öȸ¿øÀÇ °æ¿ì À§ Àû¸³±Ý »çÇ×ÀÇ µÎ¹è¿¡ ÇØ´çÇÏ´Â Àû¸³±ÝÀ» µå¸³´Ï´Ù. ¹«ÅëÀå °áÁ¦½Ã Çö±Ý¿µ¼öÁõ ¹ß±ÞÀ» ¿øÇϽô °í°´´ÔÀº ÁÖ¹®¼¿¡ Çö±Ý¿µ¼öÁõ ¹ß±ÞÀ» ±âÀÔÇØ ÁÖ½Ã¸é µË´Ï´Ù. (°øÁö»çÇ× Âü°í). [¹è¼Û ¾È³»] ÃÑ °áÁ¦ ±Ý¾×ÀÌ 50,000¿ø ¹Ì¸¸ÀÏ°æ¿ì Åùèºñ(3,000¿ø)°¡ Ãß°¡ µË´Ï´Ù. ÆòÀÏ ¿ÀÈÄ5½Ã ÀÌÀü¿¡ ÀԱݽà ÃÖ´ë 3ÀÏÀ̳» µµÂø(µµ¼ »ê°£Áö¿ª Á¦¿Ü) Á¦ÁÖµµ, ±âŸ µµ¼»ê°£ Áö¿ªÀº Åùèºñ°¡ Ãß°¡·Î Æ÷ÇԵɼö ÀÖ½À´Ï´Ù. ±âŸ Á¦Ç° Ç°Àý ¹× ºÎµæÀÌÇÑ »çÁ¤À¸·Î Åù谡 Áö¿¬µÉ¼ö ÀÖ½À´Ï´Ù. ¹è¼Û¹æ¹ý : kg ·ÎÁö½º |
[»óÇ° ±³È¯/ȯºÒ¾È³»] ±³È¯/ȯºÒ±ÔÁ¤ : ÀúÈñ ¼îÇθôÀº ÆǸÅÀÚÀÇ °ú½Ç ¶Ç´Â ¼ÒºñÀÚÀÇ °ú½Ç·Î ¹ß»ýµÇ´Â »óÇ°ÀÇ ±³È¯, ȯºÒ(¹ÝÇ°) ¼ºñ½º¸¦ ¼ÒºñÀÚ º¸È£¹ý¿¡ ÀÇ°ÅÇÏ¿© »óÇ°¼ö·É·Î ºÎÅÍ 7ÀÏ À̳»¿¡ ¿äûÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù. [ ±³È¯/ȯºÒÀÌ ºÒ°¡´ÉÇÑ °æ¿ì ] 1. »óÇ°ÅÃ(tag)Á¦°Å ¶Ç´Â °³ºÀ ÈÄ »ç¿ëÀ¸·Î »óÇ° °¡Ä¡°¡ ÈÑ¼ÕµÈ °æ¿ì 2. ¸®µå, Çϸð´ÏÄ«, ÇǸ®, ¿ÀÄ«¸®³ª, ¸¶¿ì½ºÇǽº µî ÀÔÀ¸·Î ºÎ´Â ¾Ç±â ¹× ¼ÒÇ°·ù 3. µå·³¼¼Æ® µî º°µµÀÇ Çϵå¿þ¾î¸¦ ¼³Ä¡ÇÑ ÈÄ Á¶¸³ ¹× »ç¿ëÇÑ ÈçÀûÀÌ ÀÖ´Â °æ¿ì 4. ¹Ú½º Æ÷Àå Á¦Ç°ÀÇ °æ¿ì º» »óÇ°ÀÇ ÈѼÕ, ºÐ½Ç µîÀ¸·Î ÀÎÇÑ °¡Ä¡ ÈѼÕÀÇ °æ¿ì 5. »ó¼¼¼³¸í¿¡ Á¦Ç° Ç¥¸é»óÀÇ ÇÏÀÚ¿¡ ´ëÇÑ °øÁö¸¦ÇÑ Àü½ÃÇ°/¸®ÆÛÁ¦Ç° 6. º¹Á¦ °¡´ÉÇÑ µµ¼, ¾Çº¸ ¹× À½¹Ý·ù 7. ¼öÀÔ»ê Á¶¸í(¹ÂÁ÷¶óÀÌÆ®), Æ©³Ê±â, ¹ÚÀÚ±â´Â ±³È¯/ȯºÒÀÌ °¡´ÉÇÑ ½ÃÀÏ ÀÌÈÄ »ç¿ë½Ã ¹ß»ýÇÑ Á¦Ç° °íÀå¿¡ ´ëÇÑ A/S ¹× ¼ö¸®Áö¿øÀÌ ¾ÈµË´Ï´Ù. °í°´ º¯½É¿¡ ÀÇÇÑ ¿Õº¹ ¹è¼Û·á´Â °í°´´Ô ºÎ´ãÀÔ´Ï´Ù. Á¦ÁÖµµ ¹× µµ¼Áö¿ªÀº ¹è¼Ûºñ Ãß°¡µË´Ï´Ù. |